A Forest Inside the Mountain

In central Vietnam, Sơn Đoòng contains enormous passages, an underground river and a forest beneath its broken roof. Reaching it takes days on foot, and depends on the local knowledge that brought explorers to its entrance.

The forest grows where the ceiling fell in.

Deep inside Sơn Đoòng, in Vietnam’s Phong Nha-Kẻ Bàng National Park, daylight reaches through an opening in the mountain and trees rise towards it. Around this patch of green, the cave continues into darkness. The forest occupies a break in the roof of a much larger underground passage. Walking into the sunlight does not mean you have reached the way out.

That is an appealing complication. We tend to think of caves as enclosed places, with the world outside neatly separated from whatever lies within. Here the distinction becomes awkward. There is sky overhead, but a mountain around you. A forest belongs to the cave.

The place has a name, the Garden of Edam, bestowed by cavers whose appetite for a cheese joke survived a considerable amount of walking. Its trees owe their existence to sunlight entering through a collapsed section of roof, known as a doline. Some have slender trunks and grow unusually tall in their search for light.

The photographs invite a long stare. Then comes the question that gives this adventure its shape: how would you actually get there?

Long before there was an expedition to book, a Vietnamese forest worker named Hồ Khanh had to find the entrance twice.

The entrance he remembered

According to the discovery account published by expedition operator Oxalis, Khanh first encountered the opening in 1990. Caught in heavy rain while working in the forest, he sheltered beneath a cliff. From an opening came cold air and mist. There was a steep descent into the cave, and he lacked the equipment to investigate it. He went home.

It is easy, with the benefit of a famous photograph, to wonder why anyone would leave. But the photograph did not exist. Nor did the ropes, the survey or a guide explaining what lay below. Khanh had found a difficult opening in remote country while trying to make a living. Going down would have been a very different proposition from looking at it.

Years later, he told British caver Howard Limbert about the place. Finding it again proved difficult. Oxalis’s detailed account dates the successful return to 2008, after an unsuccessful search the previous year. Khanh recorded the route, and in 2009 led members of the British-Vietnamese expedition to the entrance.

There is something pleasingly stubborn about that interval. A cave large enough to become internationally famous could remain hard to locate. Its eventual appearance on maps depended on a man remembering what he had seen and going back through the forest to look.

Limbert’s own published account explains why the cavers were interested. They had explored nearby Hang En in 1994 and knew that its river disappeared into a valley where flood debris blocked access underground. Between the sinking water and its reappearance was a gap of roughly 10 kilometres in their map. Somewhere in the mountains, they expected a substantial continuation.

Khanh’s recollection gave them a way to reach it.

In April 2009, Peter MacNab was the first expedition member to enter Sơn Đoòng. Exploration and measurement followed, until a huge wall of calcite stopped progress. The team returned in 2010 with specialised climbing equipment; Gareth Sewell and Howard Clarke climbed the obstacle, opening the route towards an exit beyond it.

A year separates those two achievements. Even after the entrance had been found, the mountain still demanded another expedition.

A head torch has its limits

Sơn Đoòng is widely recognised as the world’s largest natural cave by volume. The published survey figure is 38.5 million cubic metres, with a length of nearly nine kilometres. The record concerns its enormous underground space; cave length is a different measurement.

Those numbers are accurate enough to repeat and difficult to picture. Cubic metres rarely improve a daydream. Put a person in the passage, however, and scale becomes much easier to understand: the person almost disappears.

Writer Mark Jenkins joined the 2010 expedition for National Geographic. His account describes a headlamp unable to reveal the full space above him, and the change when daylight through a roof collapse made the cave’s proportions visible. The experience required the light from outside to explain what the small lamp could not.

There is a practical limit to being impressed in the dark. You can know that a ceiling is far overhead without being able to see it. Distance becomes a matter for surveying instruments until daylight gives the eye something to work with.

Jenkins also recorded caver Jonathan Sims’s explanation of the first doline’s name, Watch Out for Dinosaurs. Sims and a companion had young sons and knew their dinosaurs; the vegetation and enormous opening recalled the setting of Arthur Conan Doyle’s The Lost World. The name came from a joke between explorers.

It has lasted rather well. A technical term can explain a roof collapse, but a warning about dinosaurs conveys something of the mood without asking the reader to inspect a geological diagram.

The actual explanation needs no prehistoric survivors. Rivers worked through the limestone along a fault, enlarging the passage over millions of years. Where the roof collapsed, sunlight entered. Oxalis’s geological account gives an estimated cave age of between two and five million years. The holes in the roof support vegetation and connect parts of the underground environment to the forest above.

The result rewards an ordinary kind of curiosity. Follow the water. Look at where the light reaches. Notice what can grow there.

The walk before the cave

For visitors, getting inside begins with walking through the national park. Oxalis’s current itinerary describes a six-day, five-night programme, including hotel nights before and after the field expedition. Its first trekking day covers about 14 kilometres, passing through Ban Doong and Hang En before reaching a forest campsite near Sơn Đoòng’s entrance. There are repeated stream crossings and steep sections.

Fourteen kilometres on a street would be a long walk. In this country, the distance comes with wet feet and attention to the ground. The attraction may be underground, but legs have work to do before anyone reaches it.

Ban Doong is home to a Bru-Vân Kiều community. Oxalis’s village history describes its establishment in 1992 after families moved from a settlement affected by flooding. The village occupies a place along the approach to the caves; for its residents, this valley is home.

That deserves a little more thought than the usual travel phrase about venturing into an empty wilderness. An expedition moves through country that other people know through daily life, work and family history. A visitor’s remoteness is a description of their own circumstances.

The descent into Sơn Đoòng uses safety equipment under supervision. Once inside, the route involves river crossings and movement over uneven rock. The current Sơn Đoòng expedition eventually takes visitors between the dolines and towards the Great Wall of Vietnam, the obstacle that halted the first explorers.

The route is organised, but the ground remains demanding. There is no useful way to hurry through a rough section just because the next view looks promising.

Limbert recalls that early exploration sometimes involved trips lasting 20 hours. His teams measured passages with laser instruments as they went. The first map emerged from lengthy, difficult work underground, carried out before there was an established visitor route.

Today’s traveller benefits from those hours without having to repeat them. There is still enough effort left to appreciate the difference.

Dinner beneath the mountain

A photograph of a tent inside an enormous cave makes camping look almost absurdly simple. Find the spectacular place, put up the tent, lie down.

The people carrying the equipment might offer a longer explanation.

Oxalis describes Khanh’s later role in expedition logistics, recruiting and organising porters and supporting visiting teams. The man who brought cavers to the entrance also helped make repeated journeys possible. His contribution continued after the discovery became news.

Meals and camps need people who can get supplies through the forest and over difficult ground. Every comfortable item a visitor uses has arrived by somebody’s effort. A dining table underground is worth admiring for reasons beyond its setting.

The operator’s campsite information describes sandy camping areas near the dolines, tents on raised platforms and places to eat. Current arrangements include a forest camp followed by two nights inside Sơn Đoòng. The equipment introduces some familiar routines into a setting that makes them look strange.

That familiarity has its own appeal. You can spend part of a day looking up at an opening in a mountain and still have to get yourself organised for bed. Clothes need changing. Tomorrow’s belongings need finding. The tent remains a tent, however extravagant the space around it.

The cave’s mist is another frequently photographed feature. The tourism department’s account describes clouds forming in the large passages and rising towards the dolines. These openings admit daylight, and the light varies with conditions and the time of year. A booked expedition cannot guarantee the exact shaft of sunshine in a photograph.

The forest is enough. Demanding that it perform on schedule would be a rather poor use of the trip.

Getting over the wall

Towards the end of the traverse lies the Great Wall of Vietnam, a calcite formation roughly 90 metres high. The original climbers needed drills, anchors and specialised techniques to get up it. Visitors follow a different route, using an installed ladder and safety ropes.

It helps to distinguish the formation’s full height from the vertical ladder section. The name can suggest a single sheer climb, whereas the visitor ascent combines a ladder with a longer, steep section above it. The route still asks for effort and attention.

Water also changes the approach. The passage beneath the wall can hold a lake, crossed by boat or raft; at lower levels, it becomes a muddy walk. The explorers named it Passchendaele after encountering the mud. Their names preserve some of the physical experience of working through the cave.

Much of an adventure happens at this scale, with a foot looking for purchase and a hand holding the next secure point. The great view can wait while someone works out how to cross the ground directly in front of them.

Beyond the wall, the cave continues towards an exit in the forest. What stopped one expedition became part of a later route through the mountain.

A place with a limit

Sơn Đoòng sits within a protected landscape recognised by UNESCO for its limestone karst and underground waterways. The wider World Heritage property now includes Hin Nam No National Park across the border in Laos. Its caves belong to a much larger geological story than the route visitors walk.

Access to Sơn Đoòng is restricted. Oxalis, the licensed expedition operator, states that visits are limited to 1,000 tourists a year and operate between January and August. Its conservation information describes environmental briefings and controls on visitor numbers.

The small number matters. A forest under a broken roof is easy to sell with a picture. Protecting the place involves decisions about how many people should enter and how they should behave once there.

For the visitor, accepting those limits seems a reasonable beginning. The cave was here long before anyone arranged an expedition calendar.

Khanh’s first encounter remains the detail worth returning to. A man sheltered from rain, noticed air and mist coming from an opening, and left because he could not safely descend. Years passed before he found it again.

Now people travel across the world to follow the route he remembered. Somewhere beneath the mountain, trees are still reaching towards the hole in its roof.

How Did Blur Form and Become Famous? The Unlikely Story that Led to Girls & Boys and Parklife

Blur didn’t begin with Parklife, Britpop or a battle with Oasis.

The four-piece came together in London in the late 1980s, initially playing as Seymour before signing to Food Records and becoming Blur. Their first album, Leisure, reached No. 7 in Britain in 1991 and produced the Top 10 single There’s No Other Way.

It sounds like the beginning of a fairly conventional march towards stardom.

It wasn’t.

Within a year, Blur were struggling. Their next major single barely troubled the charts, musical fashion was moving quickly, their experiences touring America weren’t particularly happy and the band that would soon become synonymous with British music suddenly looked decidedly vulnerable.

Then they made Modern Life Is Rubbish.

For me, that’s where the Blur story really starts.

How did the members of Blur meet?

Long before anybody used the word Britpop, there were Damon Albarn and Graham Coxon.

The pair knew each other from school in Colchester, Essex. Their friendship would eventually become one of the defining relationships in Blur – musically brilliant, sometimes difficult and, as we’ll explore later in this series, remarkably durable.

By the late 1980s, London had brought the eventual line-up together.

Albarn was playing in a band called Circus, which was joined by drummer Dave Rowntree. Coxon became involved too, while studying at Goldsmiths, where he met bassist Alex James. When James joined, the four musicians who would become Blur were finally in place.

They called themselves Seymour.

Food Records became interested, but Seymour didn’t survive the record deal. The label wanted a different name. Blur was chosen, and one of the most recognisable names in British music was born.

At that point, of course, nobody knew that.

Blur’s first taste of success came quickly

The band’s first single as Blur, She’s So High, reached No. 48 in Britain in 1990.

Then came There’s No Other Way.

If you’re a Blur fan, put it on now and the ingredients are already there: Coxon’s guitar, Albarn’s voice, James’s bass and Rowntree driving the thing along. But it’s also unmistakably a record from a particular moment in British music.

Released in 1991, it reached No. 8 on the UK singles chart.

That was a proper hit.

Their debut album Leisure followed and reached No. 7.

For a young band, that’s an enviable start. But listening backwards through Blur’s catalogue now, Leisure can sound almost like a band trying on clothes before discovering which ones actually fit.

Blur themselves would move a long way from it.

And they would have to.

Then things started going wrong

The British music scene was changing at considerable speed.

American grunge had arrived. Nirvana’s Nevermind was released in 1991. What had seemed fashionable in British guitar music could suddenly sound yesterday’s news.

Blur’s 1992 single Popscene reached only No. 32.

That number matters, not because No. 32 is disastrous in isolation, but because of what Blur had just experienced. A band that had reached the Top 10 with There’s No Other Way suddenly had a new single disappearing rapidly down the chart.

And Blur were spending a lot of time on the road.

Their 1992 American touring has become an important part of Blur mythology, but there is enough testimony from people around the band to establish the broad picture without embellishing it: they weren’t particularly happy.

Journalist and Blur biographer Stuart Maconie later recalled a volatile band returning from the American tour while struggling with both their new record and disagreements about musical direction.

For Albarn, America also appears to have clarified something creatively.

He wanted Blur to sound more British – not British as a flag-waving exercise, but something more observant and peculiar than that.

England as it actually felt: suburbs, roads, Sunday afternoons, ordinary people, modernity sitting awkwardly alongside the past.

Ray Davies and The Kinks were an obvious reference point.

And suddenly Blur began sounding much more like Blur.

Why was Modern Life Is Rubbish so important?

Here’s the strange thing about Blur’s second album.

Commercially, it wasn’t the breakthrough.

Modern Life Is Rubbish reached only No. 15 on the UK albums chart when it was released in 1993. Its singles weren’t huge either: For Tomorrow and Chemical World both peaked at No. 28.

If you looked only at the numbers, you might conclude that Blur were going backwards.

Listen to the record and you hear something else: a band finding an identity.

For me, Modern Life Is Rubbish is the bridge between the Blur who made Leisure and the Blur who made Parklife.

It’s there in For Tomorrow. It’s there in Chemical World. It’s there in Sunday Sunday.

The observations become sharper. The Englishness becomes more pronounced. Coxon’s guitar sounds increasingly like Coxon rather than whatever guitar music happened to be fashionable at the time.

Producer Stephen Street was important to that transformation.

Street had previously produced There’s No Other Way. He later recalled unexpectedly meeting a dispirited Coxon while Blur’s attempts to record their second album with another producer weren’t working. Street encouraged him; shortly afterwards Albarn called, and Street became involved in the album.

It’s one of those tiny moments in music history that becomes fascinating only in hindsight.

Blur and Stephen Street subsequently made some of the band’s defining records together. But in 1993 there was no guarantee any of that was coming.

Were Blur struggling financially before Parklife?

Yes.

This is another part of the story that gets lost when we remember Blur as one of the giant British bands of the 1990s.

By this period, Blur had reportedly found themselves around £60,000 in debt. Graham Coxon, producer Stephen Street and Food Records co-founder Andy Ross have subsequently described just how little money the band had around the Modern Life Is Rubbish period.

That makes what happened next considerably more interesting.

Blur weren’t sitting comfortably after two massive albums deciding how to conquer the world with number three. They needed the next record to work.

Was Modern Life Is Rubbish successful?

Not in the way Parklife would be.

It peaked at No. 15 and spent 19 weeks in the UK Top 100.

But commercial success isn’t the only useful measure of an album’s importance.

Graham Coxon later described Modern Life Is Rubbish as Blur being “halfway to somewhere”.

That’s exactly how it sounds to me.

Blur had stopped chasing what was happening around them and started building their own world.

Then, in 1994, everything clicked.

Girls & Boys changed the equation

Before Parklife arrived, Blur released Girls & Boys.

It reached No. 5 in Britain – their biggest single yet.

Then came the album.

Parklife entered the UK albums chart at No. 1 in May 1994 and would spend 120 weeks in the Top 100, including 36 weeks in the Top 10.

The contrast with the previous album was extraordinary: Modern Life Is Rubbish had peaked at No. 15. Less than a year later, Parklife was No. 1.

The band hadn’t simply become more popular. Something happening around Blur had changed too.

Suede had emerged. Pulp were rising. Oasis were coming.

British guitar music was moving back towards the centre of popular culture, and Blur happened to arrive there with an album perfectly suited to the moment.

Soon somebody would give the whole thing a name.

Britpop.

Did Parklife make Blur famous?

Blur already had hits before Parklife, but the album transformed their scale of success.

It gave them a No. 1 album and produced Girls & Boys, To the End, Parklife and End of a Century. At the 1995 BRIT Awards, Blur won four awards.

They were no longer simply a successful alternative band. Blur had become one of Britain’s biggest bands.

And this is where knowing what came before makes the familiar story much more interesting.

It’s easy to draw a straight line backwards from Wembley Stadium and imagine Blur were always going to get there.

They weren’t.

There was a Top 10 hit, then disappointment. There were difficult tours, financial pressure and uncertainty over their musical direction. Their second album didn’t make the Top 10.

The record that helped Blur discover what they wanted to be wasn’t the record that made them enormous.

That came next.

And success created a completely different problem.

Because another British band was coming.

They were from Manchester.

They were fronted by two brothers called Gallagher.

And in August 1995, what should have been an argument between music fans somehow became national news.

NEXT: PART 2 — What really happened between Blur and Oasis?

Watch the documentary

This series was inspired by Blur: To The End, directed by Toby L., which follows Damon Albarn, Graham Coxon, Alex James and Dave Rowntree as Blur reunite to record The Ballad of Darren and prepare for their Wembley Stadium concerts.

Rather than retelling the film, Beyond the Documentary independently explores the people, history and events surrounding its story.

Blur: To The End is available on DocPlay in supported regions.

How Do They Get the Pits Out of Olives, and Why Do They Sometimes Miss One?

Pitted olives are produced by machines capable of processing thousands of olives a minute. They are remarkably good at it, but not perfect, which explains why the occasional stone survives and why “pitted” should never be taken to mean “guaranteed stone-free”.

There is a particular sound that anyone who regularly eats pitted olives never wants to hear.

Crunch.

You have bought a tub of pitted Kalamata olives from the supermarket. You eat one, then another, then perhaps another dozen, and every one of them is exactly as promised: no stones.

That is precisely why the next one can cause trouble. After enough perfectly pitted olives, you stop treating them as fruit that once contained a hard stone and start treating them as something that doesn’t. You bite down normally — until, one day, you find the exception.

The first thought is usually not about olive-processing technology. It is more likely to be: Was that the stone or was that my tooth?

It’s easy at that point to be furious with the manufacturer or supermarket. You bought pitted olives, so surely finding a pit inside one means somebody has made a serious mistake.

The answer isn’t quite that simple.

Take a close look at the packaging and you may find a warning that seems almost absurd:

May contain pits or pit fragments.

Coles is particularly direct about it. Its pitted Kalamata olives are described as mechanically pitted, followed by a warning that an occasional pit or pit fragment may remain and that consumers should take care to avoid dental injury.

It raises an obvious question: how can we build machinery capable of removing stones from olives at industrial scale, yet still end up with the occasional one in the packet?

The answer begins with the olive itself.

Take a look at the next pitted olive you eat

Before putting it in your mouth, turn it over. A pitted olive carries the evidence of what has happened to it, with an opening where machinery has passed through the fruit and removed the hard stone that once occupied its centre.

It’s easy to imagine some fantastically sophisticated process going on inside an olive factory, but the basic idea is quite mechanical. The difficult part is doing it very, very quickly.

An olive is a drupe, the same broad type of fruit as a cherry or plum, with soft flesh on the outside and a hard stone within it.

The International Olive Council identifies the relationship between the two as one of the important characteristics of a table olive. A flesh-to-stone ratio of 5:1 is considered acceptable, and the stone should ideally separate readily from the flesh. Size, shape, skin and stage of ripeness also vary between olives and varieties.

In other words, an olive-processing machine isn’t handling ball bearings. It’s handling fruit.

Inside the pitting machine

A 2025 engineering study from the University of Seville gives us a remarkably detailed look at how commercial olive-pitting machinery works.

The olives first enter a feeder, where they are separated and carried individually in compartments towards the pitting mechanism. At the critical moment, the fruit meets a stone-detaching mechanism fitted with awls. Through a combination of rotary and linear movement, the machine pierces the olive and separates the stone from the flesh.

Then it has to do exactly the same thing to the next olive, and the one after that.

Modern machines described by the researchers can process 2,500 to 3,000 olives every minute, depending on the variety. At the upper end, that’s 50 olives every second.

Think about what the machine is being asked to do in that fraction of a second. Each olive has to arrive correctly, sit correctly in the carrier and meet the pitting mechanism in the right orientation. The stone has to come away from the flesh, the olive has to survive the process in saleable condition, and everything has to be ready for another piece of fruit about one-fiftieth of a second later.

It works most of the time, but occasionally an olive doesn’t cooperate.

The olive that gets through

This is where the explanation for that unexpected crunch becomes clearer.

Engineers who study these machines have identified several things that can go wrong. Two olives can enter together, fruit can break during feeding or a blockage can leave a carrier empty. More importantly for anyone eating the finished product, an olive can enter the pitting mechanism incorrectly oriented.

Researchers call one particular form of this the “boat error”. Instead of meeting the pitting mechanism in the intended orientation, the olive is pierced off-axis. The result can be damaged flesh, a stone that isn’t properly removed, or fragments of the stone left embedded in the olive.

Seen in that context, the supermarket warning doesn’t seem quite so strange. A machine may do its job successfully thousands of times while somewhere in that stream of irregular pieces of fruit, one olive behaves differently.

The next challenge is catching it before it reaches the consumer.

Finding the mistakes is an engineering problem of its own

Olive processors have quality-control methods specifically aimed at finding pitting failures. One traditional method described in the engineering research sounds wonderfully simple: flotation tanks can be used as part of destructive sampling to identify pitting defects.

The limitation is that sampling is not the same thing as examining every olive, which is one reason researchers are now experimenting with computer vision.

Cameras can watch olives as they travel through the machinery while software analyses their size and orientation. In the 2025 University of Seville study, 97 per cent of the Gordal olives analysed were correctly aligned before pitting, while 1.1 per cent showed critical misorientation.

Those figures need some context. The study involved Gordal olives rather than Kalamata olives, so they should not be applied to every olive-processing line. What they demonstrate is the problem engineers are trying to solve.

A companion 2025 study goes further, examining how machine vision might help identify the off-axis orientation that can lead to pulp damage and stone splinters.

Nor should a processing defect rate be confused with the number of stones consumers actually find in supermarket olives. There are quality-control processes between pitting and the finished product, and the research does not establish that one olive in every hundred bought at a supermarket will contain a stone.

If anything, everyday experience suggests how effective the entire process usually is. You can eat pitted olives for weeks or months without encountering a whole stone, which is also why the one that slips through can catch you completely unprepared.

The stone isn’t the only thing being removed

There is another part of the olive’s journey that is easy to overlook: you couldn’t simply pick most olives from a tree and serve them in a bowl.

Fresh olives contain oleuropein, which contributes much of their intense bitterness. Before they become the olives we recognise as food, that bitterness has to be reduced through processing.

Depending on the style, this can involve brining, repeated washing, fermentation or alkaline treatment. The methods vary enormously between countries, traditions and types of olive. Kalamata olives are commonly prepared as naturally ripened black olives and are often processed in brine.

By the time we encounter an olive in the supermarket, the agricultural product has already been through a surprisingly long transformation. Perhaps that is also why the word pitted carries more certainty in our minds than it should.

We tend to see it as a description of what the olive is. From a processing point of view, it makes more sense to think of it as a description of what has been done to the olive: it has been mechanically pitted.

The process is astonishingly fast and remarkably reliable, but it is not infallible.

So should we actually be careful eating pitted olives?

Yes — although there is no reason to be frightened of them or suspicious of every olive in the bowl. It simply makes sense to remain aware that a stone is possible.

This isn’t advice dreamt up by nervous lawyers. Australian supermarket packaging explicitly acknowledges the possibility. Coles warns that mechanically pitted olives may contain an occasional pit or fragments and specifically mentions the risk of dental injury.

Once you’ve seen how the machinery works, that warning makes much more sense. The extraordinary thing isn’t really that a stone occasionally survives; it’s that a machine can take a soft, irregular piece of fruit, remove a hard object buried inside it, leave the surrounding flesh largely intact and repeat the operation as many as 3,000 times in a minute, hour after hour.

Almost every olive we eat gives us good reason to trust that process.

Then comes the rogue one.

Crunch.

And suddenly you remember what used to be inside it.

Dark Matter: Season 2, The Whisper Man and More New Streaming Arrivals in Brisbane: 27 August – 2 September 2026

The week brings a varied selection of new Australian streaming arrivals, led by the return of the science-fiction thriller Dark Matter and the new psychological thriller The Whisper Man. The lineup also includes returning dramas, comedy, crime and mystery series, along with films such as The Garfield Movie and Mousetrap across Paramount+, BINGE, Stan, Disney+, Apple TV+, Netflix and Prime Video.

Dalliance: Season 1

27 August 2026 | Paramount+

This new series centres on a complicated relationship and the consequences that follow as its characters navigate desire, secrecy and personal choices.

Possession: Season 1

27 August 2026 | BINGE

A new psychological thriller exploring the unsettling consequences of obsession and possession, with a story that gradually draws its characters into increasingly disturbing circumstances.

The Undeclared War: Season 2

27 August 2026 | Stan

The British cyber-thriller returns for a second season, continuing its exploration of cyber warfare, national security and the threats posed by attacks in the digital realm.

Adults: Season 2

28 August 2026 | Disney+

The comedy series returns for another season following a group of young friends as they navigate relationships, work, independence and the uncertainties of adult life.

Dark Matter: Season 2

28 August 2026 | Apple TV+

Joel Edgerton returns as Jason Dessen in the science-fiction thriller based on Blake Crouch’s bestselling novel, continuing the story across parallel realities and the consequences of choices made between them.

The Whisper Man

28 August 2026 | Netflix

This psychological thriller follows a father whose search for his missing son becomes connected to a notorious serial killer and a case that reaches deep into his family’s past.

All the Truth in My Lies

28 August 2026 | Netflix

A mystery drama built around secrets and deception, as hidden truths begin to complicate relationships and challenge what the characters believe about one another.

Mousetrap

28 August 2026 | Netflix

A mystery thriller that places its characters in a dangerous situation where suspicion grows and the truth becomes increasingly difficult to uncover.

The Garfield Movie

28 August 2026 | Netflix

The animated comedy follows the famously food-loving cat Garfield as an unexpected reunion with his father, Vic, sends him and Odie on an adventure beyond their usual home comforts.

Four Hands, Two Sonatas

29 August 2026 | Netflix

This intimate musical drama centres on two pianists whose lives and relationship become intertwined through their shared passion for music.

The Runner

2 September 2026 | Prime Video

A new thriller following a dangerous race against time, as its central character becomes caught in circumstances that demand both determination and quick thinking.

This week’s arrivals cover a broad range of genres, from science fiction and psychological thrillers to comedy, mystery and animation. With new titles landing across major Australian streaming platforms, Brisbane viewers have plenty of fresh options to explore from late August into the first days of September.

The Dog Stars Leads Brisbane’s New Cinema Releases: 27 August – 2 September 2026

Brisbane cinemas welcome a broad selection of new releases this week, led by sci-fi thriller The Dog Stars, alongside the documentary Unravel Me: Tina Arena, drama & Sons and the romantic film Your Letter. Anniversary screenings, family previews and major concert films add further variety, while GOMA presents a selection of classic and international cinema.

NEW RELEASES

The Dog Stars

27 August 2026 | Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Hawthorne Deluxe, Redbank, South Bank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

Set in a post-pandemic America, this science-fiction thriller follows a pilot and a scientist surviving in a remote Colorado wilderness while confronting threats from both nature and other survivors.

Unravel Me: Tina Arena

27 August 2026 | Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt), Five Star Cinemas (Graceville, New Farm), HOYTS (Stafford), Palace Cinemas (Barracks Brisbane, James St), United Cinemas (Eldorado)

This documentary explores the life and career of Australian singer Tina Arena, bringing together her personal story and decades of musical achievements.

Your Letter

27 August 2026 | Event Cinemas (Brisbane City, Carindale, Indooroopilly, Mount Gravatt), HOYTS (Sunnybank)

This romantic drama follows a young woman who discovers a mysterious letter that leads her into an unexpected connection with the past.

& Sons

27 August 2026 | Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Hawthorne Cinemas), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Carindale, Chermside, Indooroopilly, Springfield Central), Five Star Cinemas (Graceville, New Farm), HOYTS (Stafford), Palace Cinemas (Barracks Brisbane, James St), United Cinemas (Eldorado)

This family drama examines relationships between fathers and sons as long-held tensions and personal ambitions come to the surface.

Cliffhanger

27 August 2026 | Dendy Cinemas (Coorparoo, Portside)

This action thriller returns audiences to a world of high-altitude danger, with a new chapter built around survival, betrayal and perilous mountain terrain.

The Fast and the Furious – 25th Anniversary Screening

28 August 2026 | Cineplex (Hawthorne Cinemas, Redbank, South Bank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Indooroopilly, Mount Gravatt, Springfield Central), HOYTS (Stafford, Sunnybank), United Cinemas (Eldorado)

The 2001 action classic returns to cinemas for a special 25th anniversary screening, revisiting the street-racing rivalry that launched the long-running franchise.

Harry Potter and the Philosopher’s Stone – 25th Anniversary Screening

29 August 2026 | Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Dendy Cinemas (Coorparoo), HOYTS (Stafford, Sunnybank), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The first Harry Potter adventure returns to the big screen for its 25th anniversary, introducing audiences once again to Harry’s first year at Hogwarts.

Paw Patrol: The Dino Movie

30 August 2026 | Angelika Cinemas (Woolloongabba), Reading Cinemas (Newmarket)

The animated adventure brings the PAW Patrol team into a prehistoric setting for a new mission designed for younger audiences and families.

André Rieu’s 2026 Summer Concert: Viva Maastricht!

2 September 2026 | Angelika Cinemas (Woolloongabba), Cinebar (Rosalie Village), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford, Sunnybank), Reading Cinemas (Newmarket), United Cinemas (Eldorado)

André Rieu returns to the cinema with a concert celebration filmed in his hometown of Maastricht, featuring orchestral performances and the festive atmosphere of his annual summer concerts.

Katy Perry: The Lifetimes Tour – Live from Paris

2 September 2026 | Dendy Cinemas (Coorparoo), Event Cinemas (Brisbane City, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), HOYTS (Stafford)

This concert film brings Katy Perry’s Lifetimes Tour to the big screen, capturing her Paris performance and the spectacle of the international tour.

STILL SHOWING

Insidious: Out of the Further

Bayside Cinemas (Wynnum), Cineplex (Redbank, South Bank), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The supernatural horror continues its Brisbane run with another chapter set within the terrifying world of the Further.

Mutiny

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Redbank, South Bank), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (James St), Reading Cinemas (Newmarket), United Cinemas (Eldorado)

The tense thriller remains on screens, exploring conflict, shifting loyalties and the consequences of dangerous choices.

Spa Weekend

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Redbank), Dendy Cinemas (Coorparoo), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Newmarket), United Cinemas (Eldorado)

The ensemble comedy continues with a group of longtime friends attempting to escape everyday pressures during a relaxing getaway.

Spider-Man: Brand New Day

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Hawthorne Cinemas, Redbank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Newmarket), United Cinemas (Eldorado)

The superhero adventure continues its Brisbane cinema run, bringing further action and Marvel storytelling to audiences across the city.

The Odyssey

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Redbank, South Bank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Graceville), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), United Cinemas (Eldorado)

The epic adaptation remains available across Brisbane, continuing its cinematic interpretation of the legendary voyage and its enduring themes.

GOMA

Gloria

28 August 2026

GOMA’s film program presents this drama as part of its curated selection of cinema experiences in Brisbane.

Opening Night

29 August 2026

This screening forms part of GOMA’s film program, bringing another distinctive work of cinema to the week’s cultural schedule.

Soudain (All of a Sudden)

30 August 2026

GOMA continues its international cinema program with this screening, adding another contemporary work to the week’s selection.

Brisbane’s cinema program for 27 August – 2 September combines new films, anniversary screenings, family entertainment and concert experiences with a strong selection of continuing titles. From mainstream cinemas across the city to GOMA’s curated film program, the week offers a broad mix of contemporary and classic cinema.

Death of a Salesman, The Silent Cry of Flowers and Theatre, Dance and Art in Brisbane: 28 – 30 August 2026

The arts program this weekend brings together major theatre productions, contemporary dance, classical music, exhibitions, cinema, jazz and cultural events. From acclaimed stage productions and ballet to gallery exhibitions, film screenings and live performances, there are creative experiences across Brisbane for a range of interests.

The Films of John Cassavetes

3 July – 29 August 2026 | Gallery of Modern Art (GOMA), Cinema A, South Brisbane
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The Films of John Cassavetes presents a selection of the influential American filmmaker’s work as part of GOMA’s cinema program Tumult and Tenderness. The program explores Cassavetes’ distinctive approach to independent filmmaking and his focus on human relationships.

The Red Dress

25 July – 13 September 2026 | Museum of Brisbane, Brisbane City
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The Red Dress is a collaborative textile artwork featuring thousands of embroidered contributions from people around the world. The exhibition explores women’s experiences, memory and identity through the evolving red garment.

The Book of Mormon

31 July – 4 October 2026 | Glasshouse Theatre, Queensland Performing Arts Centre (QPAC), South Brisbane
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The Book of Mormon is the award-winning musical created by Trey Parker, Matt Stone and Robert Lopez. The story follows two young missionaries sent to Uganda, combining musical theatre, satire and comedy.

Lord Mayor’s Photographic Awards 2026

1 August – 1 November 2026 | Museum of Brisbane, Brisbane City
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The Lord Mayor’s Photographic Awards showcases photographs celebrating Brisbane, its people, places and communities. The annual exhibition presents selected works from photographers across a range of styles and perspectives.

Celia Gullett: Spirit Into Matter

5 – 29 August 2026 | Jan Murphy Gallery, Fortitude Valley
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Spirit Into Matter presents new work by Australian artist Celia Gullett. The exhibition explores the relationship between physical materials, form and ideas through Gullett’s contemporary practice.

Do Not Go Gentle

11 – 30 August 2026 | Bille Brown Theatre, South Brisbane
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Do Not Go Gentle explores ageing, dementia, loss and what it means to face the end of life. The production features Andrew Buchanan, Jennifer Flowers, Steven Grives, Christen O’Leary, Marilyn Richardson, Bruce Spence and William Zappa.

Undying: Abdul-Rahman Abdullah

13 August – 7 November 2026 | Griffith University Art Museum, South Bank
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Undying presents work by Western Australian artist Abdul-Rahman Abdullah, whose practice explores memory, family, mortality and connections between people and place through sculpture and installation.

Bohemian Dreams – Mozart, Schubert, Haydn, Krommer & Punto

21 – 30 August 2026 | Plant Empire, Tennyson
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Bohemian Dreams brings classical works by Mozart, Schubert, Haydn, Krommer and Punto to an intimate setting. The program features chamber music from the Classical and early Romantic periods.

Dead Bat on the Night Shift

26 – 29 August, 2 – 5 September 2026 | PIP Theatre, Milton
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Dead Bat on the Night Shift is a theatrical production presented at PIP Theatre. The work brings a darkly comic story to the stage across two performance periods.

Ballet of Lights

28 August 2026 | The Princess Theatre, Woolloongabba
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Ballet of Lights combines classical ballet with illuminated costumes and lighting effects. The performance uses choreography, visual effects and glowing costumes to present a familiar story in a distinctive stage setting.

Immerse – RQAS Jazz Night

28 August 2026 | RQAS Brisbane Gallery, Brisbane City
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Immerse – RQAS Jazz Night combines live jazz with the gallery setting of the Royal Queensland Art Society. The evening brings music and visual art together in a creative environment.

Rosa Mack & West End Mana

28 August 2026 | Mirrorball Ministries, West End
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Rosa Mack & West End Mana presents a live music performance featuring Rosa Mack and West End Mana at Mirrorball Ministries.

Death of a Salesman

28 August – 6 September 2026 | Lyric Theatre, Queensland Performing Arts Centre (QPAC), South Brisbane
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Arthur Miller’s Death of a Salesman arrives in Brisbane in a production directed by Neil Armfield and starring Anthony LaPaglia as Willy Loman. The Australian production also features Alison Whyte, Josh Helman and Ben O’Toole.

Alcides Neto

29 August 2026 | The Princess Theatre, Woolloongabba
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Alcides Neto brings his live performance to The Princess Theatre, presenting the Brazilian artist’s music in an intimate Brisbane setting.

Taiwan Film Festival

29 August 2026 | Event Cinemas, Brisbane City
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Taiwan Film Festival presents a selection of Taiwanese films, offering audiences an opportunity to experience contemporary cinema and stories from Taiwan on the big screen.

Book Launch with Dannika Patterson

29 August 2026 | Harry Hartog, Carindale
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Dannika Patterson appears at Harry Hartog for a book launch celebrating her latest work. The event offers readers an opportunity to meet the author and discover her new publication.

The Silent Cry of Flowers

29 – 30 August 2026 | Thomas Dixon Centre, West End
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The Silent Cry of Flowers is a contemporary dance work created by Sthan Kabar-Louët and performed by nine dancers. The work explores resilience, exile and hope through movement, imagery and music.

Symphonic Stories: Music on Sundays 4

30 August 2026 | Concert Hall, Queensland Performing Arts Centre (QPAC), South Brisbane
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Symphonic Stories: Music on Sundays 4 presents a live orchestral program in QPAC’s Concert Hall, combining orchestral works with storytelling as part of the Sunday concert series.

This weekend’s program covers theatre, ballet, contemporary dance, classical and jazz music, cinema, photography, visual art and cultural events, with major productions and intimate creative experiences taking place across Brisbane.

Glow & Tell, KOOZA and Family Festivals and Experiences in Brisbane: 28 – 30 August 2026

Families can enjoy interactive theatre, circus, creative activities, community festivals, markets and special events this weekend. The program includes a major family show, a long-running circus production, hands-on children’s activities and community celebrations across Brisbane.

Vipoo Srivilasa: Express Yourself

11 October 2025 – 13 September 2026 | Gallery of Modern Art (GOMA), Children’s Art Centre, South Brisbane
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Vipoo Srivilasa: Express Yourself invites children to explore emotions through drawing, dancing and digital activities. The interactive exhibition includes hands-on making and multisensory experiences inspired by Srivilasa’s ceramic flower-bear characters.

Dinos Alive: An Immersive Experience in Brisbane

2 May – 30 August 2026 | Fever Skygate – Exhibition and Immersive Experience Centre, Brisbane Airport
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Dinos Alive is an immersive dinosaur experience featuring life-sized prehistoric creatures and an environment designed to transport visitors into the world of dinosaurs.

Disney Store Brisbane Pop-Up Experience

4 July – 27 September 2026 | Shop QSM 103 – Queen Street Mall, Brisbane City
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The Disney Store Brisbane Pop-Up Experience brings Disney merchandise and themed shopping to Queen Street Mall for a limited time.

Night Feast 2026

29 July – 31 August 2026 | Brisbane Powerhouse, New Farm
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Night Feast brings together food, art, music and family-friendly entertainment at Brisbane Powerhouse. The annual event combines dining experiences with installations and performances across the riverside precinct.

Glow & Tell

27 – 30 August 2026 | Cremorne Theatre, Queensland Performing Arts Centre (QPAC), South Brisbane
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Glow & Tell is an interactive performance for children aged four to eight that combines storytelling with UV light and glowing drawings. Following the 30-minute performance, children can create their own glowing stories during a workshop.

Free Community Book Week Event

29 August 2026 | Wynnum West State School, Wynnum West
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The Free Community Book Week Event brings families together for a community celebration centred on books and reading.

Fair on the Green

29 August 2026 | Gregory Park, Milton
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Fair on the Green is a community event at Gregory Park featuring activities and entertainment for local families.

Heritage Community Branch Forest Lake Community Festival

29 August 2026 | Forest Lake Parklands, Forest Lake
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The Forest Lake Community Festival brings the local community together at the parklands for family activities and community entertainment.

WindsorFest

29 August 2026 | Windsor State School, Windsor
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WindsorFest is a community celebration hosted at Windsor State School, bringing families together for entertainment, activities, food and local stalls.

Geebung Street Party

30 August 2026 | Geebung Street, Geebung
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The Geebung Street Party is a local community celebration bringing residents and families together for entertainment and activities.

Brisbane Serbian Festival

30 August 2026 | Dutton Park State School Oval, Dutton Park
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The Brisbane Serbian Festival celebrates Serbian culture and community through food, music, performances and family entertainment.

KOOZA

Until 4 October 2026 | Under the Big Top, Eagle Farm
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KOOZA combines traditional circus disciplines with acrobatics, physical comedy and theatrical spectacle. The story follows the Innocent, a naïve clown transported into an exotic and colourful kingdom.

This weekend offers families a mix of interactive performances, circus, creative experiences, food and entertainment, along with community festivals and activities suitable for children and families.

Björn Again, Larry Fleet and Live Music, Comedy and Tribute Shows in Brisbane: 28 – 30 August 2026

Live music, comedy, tribute performances and touring acts take over Brisbane this weekend, with a mix of pop, rock, country, indie, metal, hip-hop and comedy. Major touring artists share the program with Australian acts, tribute shows and emerging local performers across venues throughout the city.

Dizzy Days: Tunnel Vision Tour

28 August 2026 | The Brightside, Fortitude Valley
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Brisbane four-piece Dizzy Days bring their Tunnel Vision Tour to their hometown, showcasing their second EP alongside songs including Take My Heart and Holding On. Their live sound combines disco, dance and pop-rock influences with energetic performances.

John Comedy: What’s Up Doc?

28 August 2026 | Big Fork Theatre, Fortitude Valley
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John Comedy presents What’s Up Doc?, a stand-up comedy performance at Big Fork Theatre.

Lies N’ Destruction: Paradise Cities Tour

28 August 2026 | The Hamilton Hotel, Hamilton
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Lies N’ Destruction bring their Guns N’ Roses tribute show to Hamilton as part of the Paradise Cities Tour, recreating the music of one of rock’s best-known bands.

Björn Again: ABBA Forever Tour

28 – 29 August 2026 | Concert Hall, Queensland Performing Arts Centre (QPAC), South Brisbane
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Björn Again return to Brisbane with their ABBA Forever Tour, celebrating ABBA’s catalogue with songs including Dancing Queen, Mamma Mia, SOS, Gimme! Gimme! Gimme! and The Winner Takes It All. The internationally touring tribute act has performed in more than 120 countries.

Blake Pavey: A Bit Scared

29 August 2026 | The Tivoli, Fortitude Valley
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Blake Pavey brings his stand-up show A Bit Scared to The Tivoli, with two Brisbane performances scheduled on the night.

Larry Fleet: Another Year Older Australian Tour

29 August 2026 | The Fortitude Music Hall, Fortitude Valley
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American country singer-songwriter Larry Fleet brings his Another Year Older Australian Tour to Brisbane, with Australian country artist Troy Cassar-Daley joining him as special guest.

Ivan Ooze: Isolation of Mistaken Infamy Tour

29 August 2026 | The Brightside, Fortitude Valley
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Ivan Ooze brings the Isolation of Mistaken Infamy Tour to Brisbane for a live performance at The Brightside.

Vancouver Sleep Clinic

29 August 2026 | The Brightside (Outdoors), Fortitude Valley
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Vancouver Sleep Clinic brings its atmospheric alternative and electronic-infused music to The Brightside’s outdoor stage for a Brisbane performance.

Shakira Tribute AU

29 August 2026 | Crowbar Brisbane, Fortitude Valley
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Shakira Tribute AU celebrates the Colombian singer’s catalogue with a live performance featuring her pop, Latin and dance hits.

Silver Sircus: The Bones of You EP Launch

29 August 2026 | The Cave Inn, Woolloongabba
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Silver Sircus launch The Bones of You EP with a live Brisbane performance at The Cave Inn.

Hate Complex: Dissonance East Coast Tour

29 August 2026 | Soapbox Beer, Fortitude Valley
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HATE COMPLEX bring the Dissonance East Coast Tour to Brisbane for a live performance at Soapbox Beer.

Creedence: The John Fogerty Show – Born on the Bayou World Tour

29 August 2026 | Officers Mess, New Farm
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Creedence: The John Fogerty Show celebrates the music of John Fogerty and Creedence Clearwater Revival with a live performance featuring songs from the band’s influential rock catalogue.

Sydney Comedy Festival Showcase Tour

29 August 2026 | Powerhouse Theatre, Brisbane Powerhouse, New Farm
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The Sydney Comedy Festival Showcase Tour brings a selection of comedians from the Sydney festival program to Brisbane for an evening of stand-up comedy.

Avatar

30 August 2026 | The Princess Theatre, Woolloongabba
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Swedish metal band Avatar bring their theatrical live show to Brisbane, combining heavy metal with the band’s distinctive visual presentation and stage production. The performance is scheduled for The Princess Theatre on 30 August.

Pierce Brothers: Moonrise Album Tour

30 August 2026 | The Triffid Garden, Newstead
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Melbourne indie folk duo Pierce Brothers bring their fourth studio album Moonrise to Brisbane for an afternoon performance in The Triffid Garden. The tour follows the brothers’ return from Europe and features special guests.

This weekend offers a broad mix of live music, comedy, rock, metal, country, indie, pop and tribute performances, with established touring acts and Australian performers appearing across Brisbane’s live entertainment venues.

Outer Banks: Season 5 Leads This Week’s Biggest Streaming Arrivals in Brisbane: 20 – 26 August 2026

The final season of Outer Banks headlines a busy week of streaming, alongside a revealing Novak Djokovic documentary, a new wildlife series from the team behind The Lion King, returning comedy and family favourites, and fresh crime, science fiction and romantic drama across Netflix, Prime Video, Disney+, Apple TV+ and Binge.

Novak Djokovic: The Wolf in Winter

20 August 2026 | Prime Video

Directed by Jason Hehir, this feature-length documentary goes behind the scenes of Novak Djokovic’s life and career, combining access to the tennis champion with interviews from family members and fellow tennis greats.

LION: Miniseries

20 August 2026 | Disney+

This four-part natural history series follows Kio, a lion cub growing up in Kenya’s Maasai Mara, documenting his journey from vulnerable youngster to adult leader over four years of filming.

Blood Sacrifice: Season 1

20 August 2026 | Netflix

This Swedish crime series brings a new mystery to Netflix, adding a darker crime drama to the week’s streaming lineup.

Outer Banks: Season 5

20 August 2026 | Netflix

The Pogues return for their fifth and final season, with John B, Sarah, Kiara, Pope and Cleo facing new threats as they attempt to reclaim their future. The concluding season consists of 10 episodes.

Hans Zimmer & Friends: Diamond in the Desert

20 August 2026 | Apple TV+

Hans Zimmer brings together musicians and collaborators for a concert experience celebrating his film music, combining live performance with a closer look at the composer and his creative world.

Conan O’Brien Must Go: Season 3

21 August 2026 | Binge

Conan O’Brien returns for another season of his unconventional travel series, meeting people around the world and turning spontaneous encounters into comic adventures. The new season includes trips to Morocco, India, the Netherlands and the Philippines.

Stillwater: Season 5

21 August 2026 | Apple TV+

The award-winning animated family series returns with new stories centred on the wise panda Stillwater and siblings Karl, Addy and Michael. Five new episodes premiere with the fifth season.

Facing El Chapo

21 August 2026 | Netflix

This Mexican crime thriller follows two police officers who must survive the final hours of their shift after crossing paths with a ruthless cartel boss.

The Ark: Season 3

25 August 2026 | Binge

The science fiction drama returns with the crew of Ark One continuing their struggle for survival as humanity’s efforts to establish a new home on another planet face further challenges.

The Last Sunrise

26 August 2026 | Prime Video

Maia Reficco and Eva Longoria star in this romantic drama about a college student with a chronic illness who escapes to Mallorca with her mother and unexpectedly falls in love.

This week’s streaming selection spans high-profile returning series, sports documentary, natural history, comedy, family animation, crime and science fiction. With major arrivals spread across Netflix, Prime Video, Disney+, Apple TV+ and Binge, the week offers a broad mix for different viewing tastes.

Insidious: Out of the Further and Mutiny Lead Brisbane’s New Cinema Releases: 20 – 26 August 2026

Brisbane cinemas welcome three new releases this week, led by horror sequel Insidious: Out of the Further alongside the thriller Mutiny and drama Tony. A wide range of recent releases also continues across the city, from family favourites and animation to action, comedy and epic cinema, while GOMA presents another selection of classic films.

NEW RELEASES

Insidious: Out of the Further

20 August 2026 | Five Star Cinemas (Brisbane City, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The horror franchise returns with another chapter set within its supernatural world, bringing a new story of terror to Brisbane screens.

Mutiny

20 August 2026 | Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Redbank, South Bank), Five Star Cinemas (Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

This thriller joins the week’s cinema line-up with a tense story centred on conflict, shifting loyalties and dangerous consequences.

Tony

20 August 2026 | Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Dendy Cinemas (Coorparoo, Portside), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Newmarket), United Cinemas (Eldorado)

This drama arrives across Brisbane cinemas, adding another character-driven story to the week’s new-release selection.

STILL SHOWING

All Wishes Come True!

Event Cinemas (Brisbane City, Indooroopilly), United Cinemas (Eldorado)

This recent release continues screening at selected Brisbane cinemas, offering audiences another option among the week’s current film line-up.

Young Washington

Cinebar (Rosalie Village), Palace Cinemas (James St)

The historical drama remains on selected screens, exploring the formative years of George Washington and the experiences that shaped his future.

Holy Days

Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral), Event Cinemas (Chermside, Indooroopilly), Five Star Cinemas (Graceville), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), United Cinemas (Eldorado)

A reflective story centred on faith, community and personal journeys continues its Brisbane cinema run.

Moana

Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Hawthorne Cinemas, Redbank), United Cinemas (Eldorado)

The ocean adventure remains available for family audiences, bringing its familiar characters and island journey back to selected big screens.

One Night Only

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Redbank, South Bank), Dendy Cinemas (Coorparoo), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The romantic comedy continues across a wide range of Brisbane cinemas, adding a lighter option to the week’s program.

Spa Weekend

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Hawthorne Cinemas, Hawthorne Deluxe, Redbank, South Bank), Dendy Cinemas (Coorparoo), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

This ensemble comedy follows a group of longtime friends as they escape everyday pressures during a getaway designed for relaxation.

Spider-Man: Brand New Day

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Hawthorne Cinemas, Hawthorne Deluxe, Redbank, South Bank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The superhero blockbuster remains widely available across Brisbane, continuing its action-driven adventure on screens throughout the city.

Super Troopers 3

Bayside Cinemas (Wynnum), Event Cinemas (Springfield Central), Palace Cinemas (James St), United Cinemas (Eldorado)

The comedy sequel continues with another round of misadventures from the unconventional Vermont state troopers.

The End of Oak Street

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (South Bank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The science-fiction story continues its run as a family faces an unfamiliar and unsettling reality after a mysterious event transforms their world.

The Odyssey

Angelika Cinemas (Woolloongabba), Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Balmoral, Hawthorne Cinemas, Redbank, South Bank), Dendy Cinemas (Coorparoo, Portside), Event Cinemas (Brisbane City, Carindale, Chermside, Indooroopilly, Mount Gravatt, Springfield Central), Five Star Cinemas (Brisbane City, Graceville, New Farm, Red Hill), HOYTS (Stafford, Sunnybank), Palace Cinemas (Barracks Brisbane, James St), Reading Cinemas (Jindalee, Newmarket), United Cinemas (Eldorado)

The epic adaptation remains a major part of Brisbane’s cinema program, continuing its large-scale interpretation of a legendary journey.

Tom and Jerry: Forbidden Compass

Bayside Cinemas (Wynnum), Cineplex (Hawthorne Cinemas, South Bank), Event Cinemas (Chermside, Indooroopilly, Mount Gravatt), HOYTS (Stafford), United Cinemas (Eldorado)

The animated rivals continue their fantastical adventure after a magical compass sends them into an unfamiliar world.

Toy Story 5

Bayside Cinemas (Wynnum), Cinebar (Rosalie Village), Cineplex (Hawthorne Cinemas, Redbank), Event Cinemas (Chermside, Indooroopilly), Reading Cinemas (Jindalee), United Cinemas (Eldorado)

The latest instalment in the long-running animated series continues to bring familiar characters and a new adventure to Brisbane audiences.

GOMA

The Fury

21 August 2026

GOMA presents Brian De Palma’s supernatural thriller, centred on extraordinary psychic abilities and the dangerous forces seeking to exploit them.

The Dirty Dozen

22 August 2026

This classic war film follows a group of military prisoners selected for a dangerous mission during the Second World War.

Double Indemnity

23 August 2026

Billy Wilder’s influential film noir follows an insurance salesman drawn into a deadly scheme involving greed, deception and murder.

Brisbane’s cinema selection for 20 – 26 August brings together new horror, thriller and drama releases with a broad range of continuing films across family, action and comedy genres. From suburban multiplexes and independent cinemas to GOMA’s classic film screenings, there are plenty of options across the city this week.